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Macau Days
- Date: Sat, 23 Sep - Sun, 8 Oct 2017
- Location: Migration Museum, 82 Kintore Avenue, Adelaide SA 5000
Immerse yourself in the rich multicultural history of Macau through the enigmatic images of John Young, the dazzling poetry and prose of Brian Castro, and the evocative soundscapes of Luke Harrald.
European Waters: A Cultural Evening
- Date: Sun, 8 Oct 2017, 11:00 am
- Location: Hartley Concert Room, University of Adelaide
Join us for an evening of film screenings and musical performances that examine the role of waters in shaping European identity and the challenges facing Europe as humanity’s relationship to waters become more fraught due to climate change. Featuring films by Sara Penrhyn Jones (Bath Spa University), Laura Denning (Bath Spa University) and a performance of a European classic inspired by water, Maurice Ravel's Jeux D'eau, performed by eminent pianist Anna Goldsworthy. 5pm, 15th September, Hartley Concert Room. This event is part of the H2O: Life and Death conference.
Panel with Macau Days creative team at Writing China
- Date: Sun, 8 Oct 2017, 11:00 am - 6:00 pm
- Location: Open State Hub at Imprints Bookshop
Join the creative team behind Macau Days for a panel discussion about their collaboration and all things Macau as part of Writing China, a day long literary banquet curated by the JMCCCP's Nicholas Jose and OzAsia's Sam Prior. Brian Castro, John Young and Luke Harrald will discuss the creative inspiration behind the enormously successful exhibition and book with Cath Kenneally from 11am on Sunday 8 October at the Open State Hub at Imprints Bookshop. To find out more about the book visit Art+Australia.
[Read more about Panel with Macau Days creative team at Writing China]
Peggy Glanville-Hicks Address with Kim Williams AM
- Date: Tue, 7 Nov 2017, 6:30 pm - 6:30 pm
- Location: University of Adelaide
The Peggy Glanville-Hicks address is the single most important national forum for contemporary music discourse, which honours one of Australia’s great international composers. In 2017, the address will be given by Kim Williams AM, whose career as a media executive and composer has seen him head prominent organisations such as Foxtel, Musica Viva Australia, the Sydney Opera House Trust, News Corp Australia (formerly News Limited), and the Australian Film Commission. In this lecture, entitled "I Wonder as I Wander: The Digital Paradox - Paradise or Purgatory?" Williams aims to ignite the national conversation around contemporary art music. Further details and to register here.
[Read more about Peggy Glanville-Hicks Address with Kim Williams AM]
The Wreckers
- Date: Fri, 10 Nov 2017
- Location: TBA
Inspired by queer interjections into mainstream classical music, the Adelaide Queer Orchestra Project offers a programme that irreverently pushes against the expectations and limitations of orchestral presentation. It challenges the invisibility of queer music and people within the classical tradition, by exploring the relationships between sexuality, composition and performance, both past and present.
The Wreckers is part of this programme and showcases the work of queer composers and musicians. It begins with Australian composer Alex Turley’s Efflorescence, followed by Tansy Davies’s saxophone concerto Iris, and Pauline Oliveros’s to Valerie Solanas and Marilyn Monroe, “In Recognition Of Their Desperation.” The second half features the work of Shoshanna Rosenberg and Iran Sanadzadeh, as well as Dan Thorpe’s newly commissioned concerto for cello and tactile electronics. The concert closes with a piece from its namesake —Dame Ethel Smyth’s Prelude to the Wreckers.
