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CAST LIST
WAYNE
ANTHONEY:
Scientist, clown, actor, teacher of acting, director, stand-up
comedian, playwright. From 1996 to 2004, Wayne was project manager
for the Nyangatjatjara Aboriginal Corporation at Ayers Rock. He was
in the last of the Bergin and Ward revues, That Adamant Eve,
which was the first Footlights Revue in the then newly built Union
Hall. He was in the next four revues, then directed The Purple
Season in 1963, co-directed To Catch A Rocking Horse in
1964 and wrote It's A Riot in 1969. Then, for a final fling,
he was asked to direct again in 1972, the era of Steve Spears and
Lindy Powell. Wayne admits he is "mad as a cut snake at times"!
MEREDITH BOWMAN:
Teacher of dance theory at Adelaide Centre for the Arts. Meredith
has spent the last forty-two years as a teacher/lecturer in
Education, PE and Dance. She was a cast member of Uni Revues from
1961 to 1963, then Apex Revues and TV bits and pieces, such as
Channel 7's Don't Say a Word and horror appearances in The
Marriage Game and Beauty and the Beast. She was involved
in children's theatre with Bunyip Theatre, then with teaching dance
drama at Morna Jones's Little Patch Theatre (now the Patch Theatre)
in the early 70s. She lectured in PE and dance from 1974 at Adelaide
CAE and then at Adelaide University until her retirement in 1999.
ANTHONY BROOKS:
Tony had a flirtation with engineering and law, but a predilection
for the extracurricular led to the joys of Uni revues. Beginning in
1959, was a cast member in Uni revues from 1961 to 1964 and Law
Revues in 1965-6. He joined the ABC in 1967, working in radio and
TV current affairs, then became an event organiser, press secretary
and public-relations consultant, his present role. Since last
appearing in the revue A Festival Halls-Up during the 1968
Festival, the pleas of relatives, threats from employers and
inducements from clients have prevented his return to the stage –
until now.
PHIL GRUMMET:
Phil is a pharmacist (semi-retired). He has been involved in
theatre for more than sixty years. He is well known as a make-up
specialist and has also directed, appeared on stage and done
stand-up for floor shows, both at university and in the big wide
world. Phil was part of the revival of Footlights in 1953 and a
member of the cast of several of the Bergin and Ward revues.
RICHIE GUN:
Richie is an occupational physician. He was MP for Kingston from
1969 to 1975. Richie attended the University of Adelaide from 1954
to 1959 where he graduated in medicine. He has recently retired as
lecturer in the Department of Public Health at Adelaide University.
Among other notable performances, he sang "The Jockey's Lament" in
the original presentation of Be Your Age in 1955.
MARGIE
HILL (AKA: MARGARET STOKES): Forty years on, Margie is still working
full-time as a physiotherapist in private practice, has done some
university lecturing and is still married to the same bloke (some
people never learn!) She was in the Footlights revues from 1962 to
1965 and played a stellar role as the dormouse in Alice in
Wonderland.
MICHAEL JOHNSTON:
Michael is a retired pharmacist. He studied at Adelaide University,
became an active member of the Footlights Club and performed in
revues from 1958 to 1962, including That Adamant Eve and
Strictly Between Us. He was a member of the Flinders Street
Theatre from 1962 to 1964. In the 1970s he performed in Dimboola
and Sweet Charity. He retired only recently and is
now enjoying growing his own olives. He is also rumoured to make
wine.
SUE LAWRENCE:
Physiotherapist. Sue's first Footlights Revue was in 1960. During
her undergraduate years she acted in many Adelaide amateur theatre
productions, including the Bunyip Children's Theatre.
Professionally, she was also a member of the first SA Theatre
Company season and worked in J C Williamsons musicals, ABC Radio and
stand-up comedy in early TV productions (Tonight, Don't Say A
Word). Having retired to her private physiotherapy practice and
motherhood, Be Your Age sees her emerging from a 35-year
theatrical break to again tread the boards, whilst she still can.
ANDY LIGERTWOOD:
Reader in Law at Adelaide University. Andy's stage career began in
the early 1950s when he played Joseph in the Netherby Nursery School
nativity play. He continued at secondary school with roles in
(mainly, he feels in retrospect) Oscar Wilde plays. From 1963 to
1966 he performed in various AUDS productions, law revues and
Footlights revues. The Purple Season was his first
Footlights performance. Andy made a brief comeback in the Law
School's Centenary Revue in 1983 (a command performance by the then
Dean), before the Centenary Professor, the Hon. Gough Whitlam, QC.
BOB LOTT:
After 5 years as a biochemist at the Children's Hospital, Bob
changed direction and made the entertainment industry his career.
His association with revue started as a musician in the pit for one
revue. He graduated (?) to the stage for three revues from 1962. He
played in the pit for a couple of Law Revues, Directed three
Children's Hospital revues and produced and directed the incredibly
successful "sell-out" Festival Fringe revues Good Grief in
1968 and 1970 which were largely written by Judy, his late wife. Bob
was on the boards of the Adelaide Festival for sixteen years and the
Come Out Festival (co-formed by Judy) for eight years
JOHN McGOWAN:
John attended the University of Adelaide, majoring in History and
Politics. He was involved in four Footlights revues. He has spent
forty years working in TV and video as a producer, writer, director
and presenter. During sixteen years with the ABC as a producer, he
frequently called on the talents of Footlights Club mates, including
Wayne Anthoney, John Potter, Steve J. Spears and Rob George. In
2005, John's biography of namesake, SA-born Hollywood pioneer
actor/director J. P. McGowan, was published in the USA.
ROB MORRISON:
Senior moments have robbed Rob of a clear recollection, but he
thinks that there must have been seven Uni revues in which he took
part. He has been a science writer and broadcaster for thirty-five
years, including eighteen as a presenter of The Curiosity Show.
He has written thirty-eight books on science, co-written twelve
more, and currently produces segments for Australia's Asia Pacific
Television program, Nexus. As President of the Royal Zoological
Society of SA and Patron of National Science Week SA, Rob chairs the
Adelaide and Monarto Zoo Board and serves on other Boards in Science
and Conservation. He is an adjunct Associate Professor of Flinders
University.
MICHAEL MUECKE:
Michael began his singing/acting career whilst at St. Peter's
College. He sang in the Chapel Choir, in Vivaldi's oratorio
Juditha Triumphans and in Handel's Messiah. He performed
in school theatrical productions and in three of the annual Gang
Shows. At university, Michael gained a Diploma in Physical
Education and performed in Look Back in Anger and three
Footlights revues including Six Bells for Venus. Recently he
performed in Matt Byrne's production of Into the Woods.
RICHARD PANK:
Richard is working on a PhD on the State Bank Royal Commission. He
graduated with a BA (Hons), majoring in psychology (Hons) and
politics. Richard built all of the instruments for the 1966
performance of the 1813 Overture. He was President of the
Footlights Club in 1967, performed in law revues and was the
producer of a St Mark's revue.
KITTY PEAKE:
Kitty attended Adelaide University from 1964 to 1967, where she was
an active member of the Drama Society (AUDS) as well as the
Footlights Club. She was in the cast of Scribble on the Wall
(1965), Tata Goonight Goonight (1966) and the freshers' revue
Absolutely Bugger All (1967). She graduated with an
Associate Diploma in Social Studies. Kitty has performed with
amateur theatres, was a regular member of the 5MMM (now 3D Radio)
Four Course Breakfast Show and clowned around with Wayne Anthoney's
Magick Circus. In 1985 she enrolled in the Drama Course at Flinders
University and graduated with a BA (Hons) in 1993.
JOHN POTTER: (If you're reading this now you are either early for the show, bored, or checking the facts
against your own.) John was in revues from 1967 to 1971, and 1973. He was president of AUDS in 1966-67,
in a Festival production McBird in 1968, did lights for Good Grief in 1970 and in a 1974 late night revue.
In 1976 he was stage manager for a Darwin performance of Yash Haka Shimo, was a film extra in Breaker Morant
and Black and White, did commercials and voice-overs, and read the ABC news in Far North Queensland in
1980 and 1981.
JEFF SCOTT:
Retired university lecturer, RAAF 1943-1945. Jeff is the last
surviving comedian from the 1948-1949 Footlights revues performed in
the Tivoli Theatre. Sadly, the demise of vaudeville forced him to
take labouring jobs and go lecturing in law and politics. At 80, he
returned to the stage in the classic role of the ageing Alfred Lord
Tennyson, based on his previous appearance as the Archangel Gabriel
in the 1940 nativity play at St. George's, Goodwood. In 1937, Jeff
was Drum Major in the Goodwood School Band. In 1947, he sat next to
Don Dunstan in Legal Ethics lectures.
NON CAST MEMBERS
AARON AUSTIN (drummer/percussionist):
Aaron is studying hitting things at the Elder
Conservatorium. At 22, he has mastered many musical styles, ranging
from his debut in a brass band at the age of 10, through all manner
of military, concert, stage and show bands to a five-year
involvement with the Adelaide Youth Orchestra. He is really very
gentle, and kind to old ladies.
BRIAN BERGIN (writer):
Brian Bergin (of whom the Australian Dictionary of Biography says:
nothing) was the words half of the Bergin and Ward words-and-music
partnership of the 1950s (of which the Groves Dictionary of Music
says: nothing). After a working life as an advertising copywriter
and creative director, head of publicity for the Adelaide Festival
Centre and a freelance writer and director of documentary films (of
which Margaret Pomeranz and David Stratton say: nothing) he is now
living in retirement, about which the less said, the better.
GORDON BILNEY (writer):
Dentist, career diplomat, ambassador to the West Indies, MP,
minister in the Hawke and Keating governments – but nothing was as
much fun as those years in the 60s when Gordon was writing and
performing in Footlights revues. While he was the
Secretary/Treasurer of the Footlights Club, when it had over 30,000
pounds in the bank - at a time when that would have bought two
houses in Toorak Gardens – they did the sensible thing and spent it
on Bergin's production of Hamlet, plus some excellent
parties.
JOHN BISHOP (imperturbable finance director):
Having cut his teeth on cooking and balancing the books for the
Footlights Club in the 50s, Bish went on undetected to a career
initially as a chartered accountant and later as a company director.
Jean McLeay and Bish trod the boards in the original Be Your Age,
Chickens and Six Bells and went on to produce 4 sons
and 8 grandchildren rather than continue to perform in public. Bish
has helped organise all recent Footlights reunion activities. His
absence from the cast of the current production is the result of a
prior engagement with a gaggle of geriatric golfers in Tasmania. He
has promised to return and try to keep the cast and committee out of
debtors' prison.
IONE BROWN (front of house):
Ione is a semi-retired policy analyst. In the early 1960s, she
studied Law and Arts and became involved in Footlights and Law
revues in the role of "props girl". She is overdue for promotion to
the visible world.
MARGARET BUTCHER (front of house, program, chief
cat-herder): Margi completed
Refectory I, II and III while struggling with a Science degree
before her life as a teacher for forty years. She ventured into
acting in secondary school where she performed in three Gilbert and
Sullivan productions, always as the male lead. In the early 1960s,
after a Footlights audition singing "Three Blind Mice" in an up-beat
style, she joined the cast for To Catch a Rocking Horse and
The Purple Season.
LEONIE COLEMAN (nee Waye) (sets and costume): Leonie designed sets and costumes for
freshers' revues and Footlights revues in 1968 and 1969. From 1964
to 1969, she painted sets for Footlights, Adelaide University
Theatre Guild, Adelaide University Dramatic Society and Adelaide
University Choral Society. As well, Leonie designed sets for AUTG
and AUDS productions from 1968 to 1970. She graduated as a Bachelor
of Architecture in 1968.
MARK COLEMAN (set painter):
Mark performed in various Adelaide University theatre productions
from 1963 to 1968. He was the producer for the 1969 Footlights
revue. Mark graduated in 1969 with an MB BS.
MALCOM ELLIOTT (front of house):
Malcolm was introduced to Footlights audiences through multiple
roles in the grand, expensive, and flu-plagued production of
Hamlet in 1959. Later he was one of the original "Texarse
Rangers" - a role held dear in his fading memory. His artistic
passion is now satisfied by stints presenting with, and for, the
aged, infirm and bewildered on Radio Adelaide (the old 5UV).
MICHAEL JACOBS (assistant stage manager,
writer, stage invader): Michael was in Footlights Revues, one
way and another, on and off, between 1966 and the mid-1970s,
including co-directing one revue and being production manager for
the Footlights late-night revue Snookered! which opened the
Little Theatre in the University Union building in 1974. After
working for various bosses as a journalist, government adviser and
lawyer, he is these days a freelance writer and journalist. Apart
from the music and movement gurus, he is the youngest of the present
group, but not the shortest
BILL KAY (stage manager):
Bill reluctantly attended McLaren Vale primary school where he first
experienced, at the hands of Jack Hume senior, the call of the
stage. Further theatrical experiences at St Peters College
convinced him that on stage was no place for him. In 1963 he
started at Adelaide University studying science (Harry Medlin was
his lecturer in Physics). Because of his involvement in stage
management, set construction, and all manner of backstage work for
Footlights, AUDS, Theatre Guild (and most theatres in Adelaide),
Bill decided to switch to architecture which had very few exams! He
became a registered architect in 1972 and is still working as a sole
practitioner.
DAVID "GEORGE" LINES (props, stage crew): David recently retired from the Flinders
Medical Centre where he was Professor and Clinical Director of
Paediatrics. He graduated in medicine at Adelaide University in
1960 and has more initials after his name than anyone. David joined
the Footlights Club in 1955 and was props manager and
Secretary/Treasurer for some years. He produced revues for St Marks
in 1959, the Royal Adelaide Hospital in 1961 and the Adelaide
Children's Hospital in the early 1960s.
AMANDA PHILLIPS (movement):
Amanda is a performer, choreographer and arts crusader whose work
has been performed internationally. She holds a Masters in Dance
from the Laban Centre, London and is a graduate of the Universities
of Adelaide and of South Australia. Her choreographic credits
include: Temporary Occupants (Shanghai, 2005), Chinese
Whispers (Australia and China 2005), Subliminal Translation
(Taiwan 2004) and Manifest (Australian Dance Theatre Ignition
Season 2004). As well as work in theatre, film, musical theatre and
radio both locally and overseas, she has played many character roles
and is treading the boards in the David Williamson play A
Conversation –for the Fringe.
HUGO SHAW (artwork):
Hugo studied at the SA Art School in 1955-56. He worked as an
advertising artist from 1956 to 1962. During this time, he worked
backstage and marketing for a number of revues, including Six
Bells for Venus, Count Your Chickens, That Adamant Eve and
The Lunatic Fringe. He studied fine art in London in 196-4,
then taught at St Peters to 1987. He is now bone painting!
TONY SHORT (writer):
A.J.(Tony)Short, recently-retired lecturer in law, has
single-handedly set out to reverse the trans-Tasman migration trend
by emigrating to New Zealand. A dog-loving bon vivant, Tony was
production manager for a string of Footlights Club and Law-school
revues during the sixties and seventies. As the Parties Man, Tony
also organised many of the Bacchanalian revels which were an
essential element of all Footlights revues.
ROGER TAYLOR (front of house):
Roger performed in Footlights revues from 1959 to 1963 as well in
AUDS productions: Electra, Wizard of Oz and Toad of
Toad Hall. He was a performer in Theatre Guild productions:
Good Woman of Szechwan, Love's Labours Lost, Recruiting
Officer, Servant of Two Masters and Henry IV. A teacher
for forty years, Roger was appointed principal of St Peters
Glenelg/Woodlands in 1984 where he remained until his retirement in
December 2003.
ALEXANDER WAITE MITCHELL (Music director, composer): Alex is a young
Adelaide composer currently studying for his Masters in Composition
under the renowned Graeme Koehne. He has been involved in many
exciting projects ranging from dance to film scoring and live
experimental performance. Alex is also responsible for the musical
track to Cirkidz' current Fringe show Up In Smoke. His
music is both dynamic and flexible, ranging from ambient to music
hall within this current production alone. When Alex is not
composing or recording or thinking about music, he likes to kick
back and relax by slowly restoring a last-century violin which he
found destroyed in a second-hand shop.
GEOFF WARD (composer):
Geoff graduated in medicine from Adelaide Uni in 1955. His interest
in theatre began in primary school. He was a member of the Hairy
Ballet in the 1948 Footlights revue. In parallel with this, his
interest in music developed and he was offered the piano seat with
Bruce Gray's All Stars, with whom he worked until 1955. When the
Footlights Club was revived in 1953 he was on the committee and
wrote some of the music for Sparkling Burgundy. His
association with Footlights continued until 1959.
DARYL WARREN (publicity):
Daryl failed miserably at University but got involved with
Footlights revues on the coat-tails of his older brother Barry, who
designed sets for several revues and produced To Catch a Rocking
Horse. Daryl went on to a career in journalism before spinning
into public relations as a co-founder of Michels Warren. While Daryl
never regretted not graduating, he does regret that his older
brother isn't with us to witness the return to the stage, after all
these years, of his old and decrepit mates trying to recapture their
lost youth
JERRY WESLEY (doyen):
Jerry gained a music degree at Adelaide University. He was the
musical director of a number of University revues including To
Catch A Rocking Horse. Jerry's career includes theatrical work
with the State Theatre Company, playing either French Horn or violin
in several Australian Symphony Orchestras, various excursions in
jingle writing and jazz playing at numerous gigs, and musical leader
of Jerry Wesley Smith and the Campus Six.
MARK
WESTON (lights):
Mark runs an engineering consultant company. In about 1960, he was
asked to "just help out with some lights" for a Geoff Ward
production in the Union Hall. GW gave him a couple of nights'
instructions, then disappeared. After this initiation by fire, Mark
continued working on most productions at the Union, which included
the Footlights productions. In 1966, he moved to Sydney and
established a career in corrosion engineering, which is the science
of things falling apart and seems appropriate for this regrouping of
oldies. Mark returned to his native Adelaide in the mid 1980s.
BE YOUR AGE
RUNNING ORDER
|
ITEM |
PERFORMERS |
WRITERS |
|
Be Your Age |
Cast |
Bergin, Ward 1954, Michael Jacobs 2006 |
|
Phone-call 1 |
Scotty |
Gordon Bilney |
|
Christmas shopping |
Brooks, Potter |
|
|
The permit |
Hill, Johnston, Lawrence, Lott, Peake, Potter |
Tony Short |
|
Windy problem 1 |
Hill, Peake, Muecke, Scotty |
|
|
Magic |
Potter |
|
|
Piccolo player |
Brooks |
Brooks |
|
The overcoat |
Bowman, Grummet |
|
|
The party's over |
Lawrence, Muecke and cast |
Sue Lawrence, Alex Waite Mitchell |
|
Clouds |
Brooks, Potter, Lott |
Bob Lott |
|
Madam Kathleen |
Anthoney, Bowman, Hill, Ligertwood, Morrison |
Wayne Anthoney, Meredith Bowman |
|
Hail to the chief |
Lott |
George W Bush |
|
Appearances |
Hill, Lawrence |
Lawrence |
|
Three old blokes |
Lott, Morrison, Scotty |
|
|
Political wisdom |
Brooks, Peake |
Bilney |
|
My company |
Bowman, Morrison |
Brooks, Jacobs |
|
Polling booth |
Ligertwood, Lott, with Hill, Lawrence, Johnston, Peake |
Jacobs, Waite Mitchell |
|
Phone-call 2 |
Scotty |
Bilney |
| |
|
|
|
The Classics |
Anthoney, Bowman, Johnston |
Anthoney |
|
By any other name |
Hill, Muecke, Peake, Potter |
|
|
1813 |
McGowan, Morrison, Waite Mitchell and cast |
Morrison |
|
Parking Inspector |
Anthoney |
Anthoney |
|
War memorial |
Lawrence, Potter |
Brooks, Jacobs |
|
Intelligent design |
Hill, Ligertwood, Jacobs |
Jacobs, with www |
|
Strictly Ballroom |
Anthoney, Bowman, Brooks, Grummet, Hill, Johnston, Lawrence,
Lott, Morrison, Muecke, Peake, Potter |
Bowman, Lawrence |
|
Phone-call 3 |
Scotty |
Bilney |
|
2025 News |
Brooks |
Brooks |
|
Retirement
Village |
Bowman, Lawrence, Lott, Johnston, Peake, Potter |
Anthoney |
|
Phone-call 4 |
Grummet |
Bilney |
|
Windy problem 2 |
Muecke, Scotty |
|
|
Jockeys' Lament |
Anthoney, Gun, Johnston |
Bergin, Ward 1950s |
|
Phone- call 5 |
Scotty |
Bilney |
|
Anzac Day |
Anthoney, Morrison |
|
|
Dubya or quits |
Anthoney, Bowman, Hill, Johnston, Muecke, Peake |
www |
|
Phone call 6 |
Scotty |
Bilney |
|
Model Politicians |
Morrison, Muecke, Potter, chorus |
Bilney |
|
Fading Away |
Cast |
Bergin, Ward 2003 |
DEGREES, ORDERS & MEDALS
Amongst the group we have collected the following
|
QUALIFICATIONS
9 AUA ( Pharm, Soc. Studies, Music, Arts
and Education)
6 LLB
1 BCL
4 MB BS
3 BA (Hons)
3 B Ec
2 B Sc (Hons)
2 BA
2 B Arch.
1 PhD
1 PhD (near completion)
1 MA
1 B Sc
1 B Mus Studies (Hons)
1 D Divinity
1 B D Sc
1 Dip PE
1 Grad Cert App Science
1 Dip Applied Psych,
1 Post Grad Diploma in Rehab
1 Masters in Rehab
1 Grad Dip (Group Work)
1 Grad Dip Ed
2 Dip T (Primary)
1 Dip Ed
1 TAFE Cert. Charcuterie Cooking |
PROFESSION FELLOWSHIPS AND MEMBERSHIPS
2 MAPA
2 FRACP
FCA
UCSP
FRACS
FRANZCR
AACCP
FAFOM
PLC
MD
GCTE
MPRIA
FIPRA
MACE
FAICD
FAIM
KLJ
GOMLJ
2 Professors
Orders Titles and Medals
AO
OAM
2
The Honorable
Centenary Medal |
AILMENTS, OPERATIONS, INVESTIGATIONS
During the first rehearsals much time was spent in
informing each other of the many ailments and operations cast and
crew members had experienced - as one does at our age, so we thought
we should share the joy of knowing these details:- Between us all we
have or have had
23 BROKEN
BONES including. RIBS, ARMS, KNEES, SHOULDERS,
FINGERS LEGS, COLLAR & WRISTS
8 CANCERS
including THYROID, SKIN, BREAST &
BOWEL
8
APPENDICECTOMIES
8 TEETH
PROBLEMS including REMOVALS, IMPLANTS, ROOT CANALS
7 BACK
PROBLEMS including SPONDYLITIS, DISC REMOVAL
6
HERNIAS
5
CORONARY DISEASES including
BYPASSES
4
PROSTATE
PROBLEMS
4
TONSILLECTOMIES
4 EYE
PROBLEMS CATARACTS, REPLACEMENTS, LASER SURGERY
3 NOSE
PROBLEMS requiring
surgery
2
COLONOSCOPIES
2
ENDOSCOPIES
2
VASECTOMIES
2 KNEE
PROBLEMS including REPLACEMENT, CARTILAGES
REMOVED
2 KIDNEY
REMOVALS
2 BLOCKED
ARTERIES
2 GALL
BLADDER
REMOVAL
1
MASTECTOMY
1 BRAIN
TUMOUR EMOVAL
1 WRIST
RECONSTRUCTION
1
TESTICLES Varicose
veins
1 GALL
STONES
1 AORTIC
VALVE
REPLACEMENT
1 TENDON
REPLACEMENT
1
HYSTERECTOMY
1 ROSS
RIVER VIRUS
ACKNOWLEDGEMENT AND THANKS TO:
ALL THE OLD FOOTLIGHTERS who have formed a special bond over fifty years and who have
contributed to rekindling the spark for one last, brief moment
before it finally splutters
BOB AND MARTHA LOTT, of the Holden Street Theatres, for their incredible
generosity and understanding during the preparation for, and staging
of, this production, supplying FOC use of the premises for 2 months
of rehearsals – our eternal thanks
BRIAN BERGIN for original words for Be Your Age, Jockeys Lament and Fading
Away
CHRIS ILEY AND URBAN MYTH
for helping us source and hang the drapes
MUSICORP AUSTRALIA PTY LTD 118 Richmond Road Marleston, for donating a set of bass
strings for the bass in the1813 Overture
GEOFFREY WARD for original music for Be Your Age, Jockeys Lament and Fading
Away
JASON GROVES, NICK ELY AND PETER CHALMERS
for rigging and preparing
the stage and lights
JERRY WESLEY
for his encouragement and support and the wonderful times he
gave us Footlighters teaching us all we need to know about Revues
KARIN PETRIS and PHIL,
for their help and advice on setting the sound
KRISTEN DODD
for preparing the Program and producing, preparing and placing
all the advertising
MARK KAVANAGH RACING STABLES and GREEN MACHINE RACING SYNDICATE
for providing some authentic kit for Jockeys' Lament
MIA MASON, HEW PARHAM, ALAN WEBB
and "PUMPY" for
doing all those bits and pieces pertaining to Be Your Age at
Holden Street Theatres
OUR PARTNERS, who have been prepared to take a punt on normal life
resuming on or about 5 March
PATTI BENNETT
and all at VENUE*TIX
RICHARD PANK AND ROB MORRISON for creating the instruments used in the 1813 Overture
RICHIE GUN for playing in the orchestra
SUE LAWRENCE for her organisational skills, enthusiasm and determination
to make this production successful
SUE LAWRENCE, JOHN BISHOP, BOB LOTT & HOLDEN STREET THEATRES
for underwriting the financial outcome of the show
THE CAST & CREW for their enthusiasm, tolerance and many hours of both
physical and intellectual hard work
TONY BROOKS for writing and collating the history of the Footlights Club
VENUE*TIX
for absorbing the lion's share of the advertising costs |
